Coronavirus Dispatch #3: It’s Surreal

I’m going to keep these short, as none of us have a lot of bandwidth these days.

But yes, it’s surreal. We have gone over 20,00 deaths in the U.S. as of today. In a few days, it will be 50K, most likely. And then, California is supposed to peak in May. I also keep an eye on Ireland, where I still have some family members. There are still fewer deaths there than in California, which makes sense, given the population difference…


Hart Island, a Potter’s Field

So, a bad week. Some time during the week images of Hart Island came out on Twitter, taken by a photojournalist. These are drone images of mass burials on a scary-looking little island off The Bronx with what looks like a huge Victorian-era building on it. The city is burying 25 bodies a day, seven days a week now. This triggers all of our ancestral memories of plague, famine, the Holocaust, mass graves, I imagine. In New York. In 2020. I must admit, I looked at the pictures with a dread I hadn’t felt in a long time, a piercing pain. I don’t know anyone in New York City right now, but hear news of ambulance sirens on the streets of Brooklyn all day long. And of course we’ve lost people that we shouldn’t have had to lose: Terrence McNally. Hal Willner. Brave health professionals. Ordinary people who died before their time.

While we twiddle our thumbs waiting for our stimulus checks, I enjoyed reading this brilliant, thought-provoking piece by Julio Vincent Gambuto on Medium.

An excerpt:

And so the onslaught is coming. Get ready, my friends. What is about to be unleashed on American society will be the greatest campaign ever created to get you to feel normal again. It will come from brands, it will come from government, it will even come from each other, and it will come from the left and from the right. We will do anything, spend anything, believe anything, just so we can take away how horribly uncomfortable all of this feels. And on top of that, just to turn the screw that much more, will be the one effort that’s even greater: the all-out blitz to make you believe you never saw what you saw. The air wasn’t really cleaner; those images were fake. The hospitals weren’t really a war zone; those stories were hyperbole. The numbers were not that high; the press is lying. You didn’t see people in masks standing in the rain risking their lives to vote. Not in America. You didn’t see the leader of the free world push an unproven miracle drug like a late-night infomercial salesman. That was a crisis update. You didn’t see homeless people dead on the street. You didn’t see inequality. You didn’t see indifference. You didn’t see utter failure of leadership and systems.

But you did. You are not crazy, my friends. And so we are about to be gaslit in a truly unprecedented way. It starts with a check for $1,200 (Don’t say I never gave you anything) and then it will be so big that it will be bigly. And it will be a one-two punch from both big business and the big White House — inextricably intertwined now more than ever and being led by, as our luck would have it, a Marketer in Chief. Business and government are about to band together to knock us unconscious again. It will be funded like no other operation in our lifetimes. It will be fast. It will be furious. And it will be overwhelming. The Great American Return to Normal is coming.

From one citizen to another, I beg of you: Take a deep breath, ignore the deafening noise, and think deeply about what you want to put back into your life. This is our chance to define a new version of normal, a rare and truly sacred (yes, sacred) opportunity to get rid of the bullshit and to only bring back what works for us, what makes our lives richer, what makes our kids happier, what makes us truly proud.


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It helps to watch New York Governor Andrew Cuomo‘s measured, eloquent press conferences in the mornings. I watch them on CNN; I think MSNBC carries them as well.

Here he is today, asked about what he would tell people who are afraid and anxious at the moment (i.e., all of us):

Sure, it is a terrible feeling, and a frightening feeling. For everyone. No one has been here before. “I’m out of work, I don’t have a paycheck, I can’t leave the house, the house has the family in it, or I’m all alone…” This is going to help form a new generation. And it will transform who we are, and how we think. But you’re not alone. You’re not alone. Nobody’s alone. We are all in the same situation.

The number of U.S. deaths is over 1,000 now. Worldwide, cases top 500,000.

Posted on by Gabriella West | 1 Comment

Coronavirus Dispatch #1

Here’s how it started, at least the official story, from a site called CIDRAP (Center for Infectious Disease Research and Policy) that I just happened upon today on the web:


The virus. It’s not usually portrayed in green, is it?

“As suspected, a novel coronavirus has been identified in some patients who are part of a cluster of unexplained pneumonia cases in Wuhan, China, according to unnamed sources familiar with the investigation who are cited in a Wall Street Journal (WSJ) story today.

As scientists and health officials wait for official statements and more confirmation details, some virologists say they’re not surprised to see another human emergence of coronavirus, a species that is becoming a bigger player on the world stage. The new discovery comes in the wake of the SARS (severe acute respiratory syndrome) outbreak in 2003 and the first human detection of MERS-CoV (Middle East respiratory syndrome coronavirus) in 2012.”

That was from January 8, 2020. It seems surreal now, like reading the opening chapter of And the Band Played On, a great classic of my youth that charted the course of the AIDS epidemic.

So, somehow we’re in the middle of a global pandemic.

I’m having a lot of thoughts about it, now that we in the Bay Area have all been ordered to shelter in place for two weeks (perhaps more). I’ll try to put some of them down in a linear fashion.

Nature Is Healing: I sat out in the sun in the little back yard today. If I closed my eyes and listened, I could hear the hum of the bees, because our little yard is covered with fruit trees growing wildly. The white blossoms will be gone soon, but the birds and bees love them. I looked out the kitchen window and into the eyes of a sparrow this morning. The biggest tree is at window-height and seems to always want to come in at our window every spring. Usually it makes things difficult because of allergies, but the tree is so obviously a sustainer and we are dealing with worse things than allergies.

How Bad Is This? Nobody knows. It’s probable that many of us are carriers—have already had a mild version of the virus. There should be no stigma about this, because we haven’t been allowed to get tested due to the incompetence of the administration. I may have had a mild case of the virus recently. I count myself very lucky, because I got through it with a mild sore throat, a spiky little fever, not even a cough, but a huge drop in energy. And some fear. My body certainly felt like it was battling something new, and I rushed around the house wanting to disinfect things. But we only have a tiny bit of rubbing alcohol left, thanks to shortages and hoarding. It was a horrible feeling at the time, but in retrospect, if I had it, I’m fortunate, and I want to try to get one of the retroactive tests for antibodies that they tell us are out there in the pipeline…

In Times of Trouble: CNN is a lifeline. I recommend watching the Global Coronavirus Town Halls if you can. There’s one tonight. Anderson Cooper, my favorite anchor on there, said gravely a few days ago, after a hectic show that mixed election news and virus news, “We are on the cusp of great change.” Isn’t that the truth?

Watching Numbers: As of today, we have over 10,000 infections in the U.S., 237,000 worldwide. A site that brings me comfort is this one, started by a high schooler in Washington State, Avi Schiffman: I hope this guy goes on to great things.

I can only hope this will bring us together. I fear the economic devastation that must come. I can deal with the stress in my own life because I’ve been living with financial uncertainty for a long time. But what I think most of us find hard to envisage and bear is to see so many of the things we have loved wiped out: favorite businesses closing, the streets emptied, our loved ones dying far from us. I don’t feel like I am in a good situation to cope with any of this. But then, who is? And sometimes I feel fine; things seem almost normal. Other times, I shake free from my denial. But I fear, looking ahead and going by other countries’ experience, that the next six weeks will be the worst.

I don’t go through this completely alone. I live with my ex, Laura, in a small house in San Francisco that her mother bought long ago and rented out to strangers for many years, and at our best we’re able to support each other through bad times. (In fact, I feel terrible for the elderly folks I know who live alone.) And I am an introvert, so this “social distancing” is something that I practice even at normal times, I’m afraid… But the forced aloneness, the rules, are quite a new thing. The fear, the uncertainty. The sadness and rage that we have an incompetent narcissistic bumbler at the helm during a time of crisis. When we could have had a competent and caring woman.

And people will die in large numbers, unpredictably. I’m not one to see that and be unaffected by it.

I’m grateful for: Gavin Newsom, our governor. The press, asking challenging questions of Trump at his inane briefings, the women reporters especially, their bravery in the face of his evasive bluster. A friend who lost her elderly mother recently and yet thought about me enough to send me an unexpected gift of money. Women’s strength and compassion, even though we are hampered by so many things. Men’s more impersonal protectiveness and innate decency, even though we have no social safety net in this society. Joe Biden, for sounding presidential and giving me hope that someone is out there making plans for the next administration. An old friend in Spain for comparing notes with me via little audio files even as she goes into lockdown. Another friend in Portland whom I talk to every week for an hour, an hour that flies by because our experiences and lives are so similar. To me this is a quiet testament that love endures and transforms, since both of them have known me for decades, though there have been long spaces of lack of contact, too.

Finally, I hope this epidemic can be a trigger for societal change. For too long I’ve watched as the rich got richer and everything crumbled. Everything that I came to this country for. We’ve had unbridled capitalism, and it is killing us. I hope the alienation that so many of us have felt from each other for so long (which is partially societally encouraged, let’s face it) can be wiped away, though this may only be temporary. Yes, people are selfish and short-sighted, and the people who care about others tend to suffer a lot. I watch other people suffering, though, and I think, hmm, well, I understand. It’s the people who don’t appear to suffer or look out for others that I really wonder about.

Thanks for reading these jottings, and feel free to leave a comment on how you’re doing! I’m interested in everyone’s experiences.

Update: The entire population of the State of California (barring essential service workers) is now ordered to shelter in place! That’s 40 million of us.

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Read an Ebook Week Sale at Smashwords

ebookweek 3 - e-reader on beachIt always creeps up on us! Here are some details about the annual Read an Ebook Week sale at

“How the Program Works:

At one minute past midnight Pacific time on March 1, the special Smashwords Read an Ebook Week catalog goes live on the Smashwords home page.  Readers can browse the catalog and search by coupon code levels and categories.  After 11:59pm Pacific time on March 7, 2020, the catalog disappears.

The coupon codes are exclusive to Smashwords and will not affect prices at other retailers.

There’s no need to remember coupon codes.  Readers will receive the discount automatically by adding your book to their cart.”

What this means for my books is that ALL my novels are on sale for either 50% or 75% off! Just scroll down on the Profile page link to see the bargains, starting March 1. Or click the nifty purple cat image on my site from last year, which links to my Smashwords profile page as well.


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Review: Between Heaven and Hell by David Talbot

talbotBetween Heaven and Hell: The Story of My Stroke (Chronicle Prism, 176 pp, $22.95, January 2020)

David Talbot—journalist, popular historian, longtime San Francisco resident, and author of Season of the Witch—has written a surprisingly vulnerable, intimate, often funny and engaging memoir which chronicles the November 2017 stroke that has left him physically devastated yet feeling, at times, oddly peaceful and carefree. As he writes at the end of the book with a nod to the cover art by William Blake, the ordeal left him “ravaged and reborn, all at once.”

For most of his life, Talbot was an S.F. insider and Type-A striver, who founded the online news and culture magazine in 1995 and served as editor-in-chief for ten years despite intense financial pressures. (A quick check of the Salon site now is uninspiring, sadly.) His books have covered dangerous political terrain with elegant depth: Robert Kennedy obsesses about the truth behind his brother’s assassination in Brothers (2007); The Devil’s Chessboard (2015) took on the frightening abuses of power of the C.I.A. during the Cold War. His most popular book, Season of the Witch (2012), grappled with the dark, violent side of San Francisco in the late 1960s through the early 1980s, as well as the sexy, progressive cultural movements that flourished here.

Talbot has a gift for capturing the zeitgeist. And so, in this memoir, he somehow pulls his experience outside of himself. While keeping his feet on the earth, as in the cover art, he reaches for meaning. The first part of the book is full of medical details: what happened on the day of the stroke; how he eventually got to the E.R. at a local hospital, St. Luke’s (walking in, a mistake); how he missed the critical three-hour window to recover quickly; how he was transferred to Davies Medical Center’s stroke ward and began a long process of rehabilitation. What could be indulgent and deeply depressing, a plodding chronicle of loss, becomes something else.

He has had two career identities, and both nearly killed him. He writes amusingly and harrowingly of an apparent heart attack at Salon in 1998, which turned out to be a panic attack that struck, perhaps not coincidentally, when the co-founder of Adobe, John Warnock, was visiting the building for an important meeting and had reached the lobby. Anxious about his main investor seeing him being taken out of the office on a stretcher, he insisted on staggering down the back stairs before being bundled into an ambulance. The money came through; the site was saved, and Talbot, whose mother died of a stroke at sixty, was told he should take it easy. But of course, he didn’t.

And then there was Hollywood. The son of actor Lyle Talbot, he writes about attending a series of ultimately frustrating meetings in a fruitless quest to get his book on Allen Dulles and the CIA turned into a TV drama. There was a long meeting shortly before his stroke where he felt his head was going to explode from the pressure of trying to “sell” his story. He writes honestly of wanting to be financially saved by Hollywood. It’s a common fantasy, and Hollywood seems to thrive on bringing people close and dashing the cup from their lips. “Of course, Hollywood mythology and reality are two different things,” Talbot concludes darkly. “The business behind the screen can be the most sleazy and brutal that American has to offer. Words don’t mean anything—the more praise I would hear about my books, the more I knew they didn’t have a chance.”

Word, as they say. But Talbot’s stroke effectively ended his Hollywood aspirations. He had to learn to live again, in a more introspective fashion, aided by his wife and two grown sons, and initially helped by a GoFundMe page started by a family friend. With a wonky left eye, dark glasses, a cane, and a staggering gait, Talbot doesn’t feel like his old self and understands he will never regain that self. But there is something more, and this is what I loved most about the book. Talbot’s brave self-awareness about his twilight existence in the sterile, noisy S.F. of today helped me take stock of my own life:

I now live in a ghost world, and not everyone who was once close to me wants to venture into this shadowy place to hang out with me. Some people are clearly spooked. I remind them of their own frailty and mortality. I get it; it’s understandable. But it confirms my spectral status to me.

…The truth is, I want to keep living at half-speed, in my secure, bubble world, with those to whom I can feel effortlessly close. No, I don’t just want to—I need to.

But there’s joy here. More sensitive to musical beats, Talbot breaks out into impromptu dances while clothes-shopping with his wife and sister (he shares a playlist at the end of the book, charmingly). A year after the stroke he and wife Camille take off to Carmel to escape the terribly polluted air during the wildfires with their dog, Brando. Talbot writes amusingly of this surreal episode, where they, along with a bunch of other exhausted refugees from the city, stay in Doris Day’s pet-friendly inn and watch the dogs caper on the beach. A woman with a blind dog chats with them. “The woman told Camille that her small dog was blind but she liked to bring him to dog-friendly beaches so he could smell and hear his fellow canines as they barked and splashed in the surf. She said it made him happy. I could relate—I’m now nearly half blind too, and crazy canine carnivals like the one spinning out of control on the beach made me laugh out loud like a kid.”

When they return to the city “the air still smelled like a dying campfire,” but soon there is rain. And so it goes in this book and in life, where the good is juxtaposed with the bad, and the painful with the happy. Talbot’s sons are now doing well (his son Joe directed a movie and you can feel his pride in that); ultimately, he has decided to stay in San Francisco, which takes a special kind of courage and commitment. For a city that gives a lot, it also takes a lot, and you can feel a conversation going on throughout the book between Talbot and the place he once felt so comfortable. Out walking, he now feels like roadkill, he admits. Coming home from the hospital, he is alienated: “The city was shrill and mechanical; a flock of construction cranes hovered monstrously in the skyline. I couldn’t make sense of all the loud disorder. There was no warm embrace from me from the city that still had my heart.”

But then he is asked to speak at a Jane Kim rally as she runs for mayor in 2018. Plucking up his courage, he addresses a crowd of young people from a seated position in a rowdy space South of Market, begging their patience because talking is still a work in progress. The young techies quieten down, and “San Francisco inspired a passionate eloquence in me.” There is still something to fight for here, in his view. And I can attest that on Facebook (where the early draft of this book started, ironically), Talbot is a charming, open presence, willing to share his historical knowledge.

As I read Between Heaven and Hell, I reflected to my astonishment that I am only fifteen years younger than Talbot, born the year his family moved to San Francisco. I see him now as something of a peer, though that seems presumptuous. But we are all searching for meaning and purpose in this life, going through many of the same things in our different circumstances. The memoir made me feel more connected and, perhaps, more hopeful. I hope Between Heaven and Hell won’t be Talbot’s last book, but if so, it is a beautiful and generous swan song.




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A Knight’s Tale: Montargis Gets a BookBub Promo, Starting Today!

helmet and ruined abbey

‘Montargis’ is Book 2 of a planned trilogy.

The follow-up to A Knight’s Tale: Kenilworth is now featured on BookBub and available for 99 cents at all the major ebook retailers (Amazon, Barnes & Noble, Apple, Kobo, Google Play)!

Writing the book in the winter of 2017 through early spring 2018 was a magical and sometimes startling experience, where it felt like the characters and their relationships were channeled to me straight from the 13th century. I believe Montargis is my best novel, though it’s one that has not garnered many reviews, so it has been hard to tell how it resonated with readers.

Up until now. Yet a recent in-depth review on Amazon captures the heart and soul of the book beautifully:

“It was snowing, light flakes tumbling down. The night was quiet, the moon up overhead, and it seemed strange and incredible that terrible things could happen in the world.”

-Will, in “A Knight’s Tale: Montargis”

Gabriella West has written another powerful, thoughtful, and at times heart-breaking novel that delivers a deeply moving, beautiful portrait of love between two young men. The story provides moments to cherish that are buoyant, quiet, poetic, full of grace, and some that are erotic, yet others that are raw and disturbing. A Knight’s Tale: Montargis is a compelling, tightly rendered sequel that continues the story of Will Talbot, a 13th-century English knight loyal to the Montfort family, and his lover Stephen, a ward of the Montfort’s who was saved as a boy from the slaughter of his family. Having escaped the rout of the Second Barons’ War and the death of Earl Simon and his eldest son, Will, Stephen and the surviving members of the Montfort household escape to France. 

But Will and Stephen quickly find out that there is no escaping the political and psychological damage of the war, nor of the machinations of the Earl’s second son, also named Simon. In the first book, a romantic triangle formed as Will found himself attracted to both the older, stronger and socially superior Simon and the slightly-built, abused Stephen. West has a keen eye for historical detail and her research into this period, and the real-life Montfort family’s political downfall, provides a convincing backdrop for her insightful, absorbing depictions of behavior, psychology, and the dynamics between these three men and those who care for them.

Will is a bit of a magpie, someone who is susceptible to the charms of certain people even though he has substantial backbone to resist others. Even so, his ongoing attraction to Simon, whose darker and more sociopathic tendencies become clear, is disturbing, especially when Will can no longer deny the harm Simon has inflicted. It’s a rollercoaster ride to try to continue believing in Will as he repeatedly falls under the sway of Simon —and a couple of other people, too — wondering what it will mean for his future with Stephen.

None of this would work as a story, though, if we didn’t feel the bond between Will and Stephen as deeply as we do. The intense intimacy, tender caring, and soul-deep affection between the two young men is conveyed in everyday imagery, from feeding each other honey on finger tips or entwined limbs as they drift off to sleep to secretly clasping hands on a night time stroll, and in the ways the couple find each other again and again as they navigate their own individual inner struggles. Especially in the first third of the book, I found that these displays of love, honest affection and overarching devotion — a devotion unique to Will and Stephen, having nothing to do with the expectations of church or aristocracy or neighbors — was so satisfying that I was hoping it might continue for the entire novel, as a kind of quiet meditation on the quality of lives shared to the fullest. But Simon always lurks somewhere in the background, and we know this isn’t going to happen.

Despite the horror and tragedy that engulfs them, and the sadness they endure, West has given us a couple who discover the courage to reveal themselves to each other, to endure life’s dark side, and still find that they want to hold each other at night. It’s a portrait of tenderness and caring that I find uniquely beautiful.

The dialogue is beautifully written. It’s crisp and clear, terse, tense or tender by turns. Sometime it sparkles, sometimes it ignites, and sometimes it is the gaps – what the characters don’t say – that is most riveting. West has a talent for making the silences between characters apparent but not obvious. She invites the reader to fill in what is not being said, drawing the characters closer to the reader and making them more of a living presence as the story unfolds.

It is also in the dialogues that we find the characters meditating on the nature of desire, on its opportunistic and unconstrained nature, and also on closer, more permanent bonds of affection. West interweaves these reflective passages into the story’s action, so that we come back to them time after time. They remind me of similar dialogues that can be found in the ancient world, and in China, Japan, India and even medieval Europe over the last two millennia. In Montargis, they are occasioned by the old Montfort family messenger, Wilecok, whose grumbling, vaguely sinister presence in the first book takes center stage in Montargis. Hedonistic, direct, funny and wise, one wonders just how literally the author intended for us to understand Wilecok’s name as he becomes a lovable, trusted guide for Will and Stephen.

I am grateful for these exceptional books, which reflect the best of our aspirations concerning affection, love and devotion to one another. (Amazon reviewer RV on 1/10/2020)

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A Challenging New Year: Downbeat Trends for Indie Publishing


Rosehips on tea rose bushes in Newfoundland (courtesy Stan Collins). Feels like we’re at the point in indie publishing where we are, like birds, eating rosehips to survive the winter.

And so, 2020 starts out intense right out of the gate!

But although our attention is drawn to a possible war brewing with Iran due to an impulsive act of political assassination by the hapless idiot acting as our president, and also to the terrifying Australian wildfires, life goes on in the indie publishing trenches.

I wanted to share Smashwords CEO Mark Coker’s frank and downbeat assessment of the state of indie publishing, 2020 Publishing Predictions, which he puts out on New Year’s Eve every year. The first few years I read them, starting in 2012, these long reads were quite gushing and optimistic. No longer! Since Mark is in a position where he can actually observe the flow of money coming in ebook-wise, I’ve always taken his prognostications seriously.

This jumped out at me: “To my eyes and ears, indies are experiencing increased pain, anxiety, desperation and depression.”

He even thinks that the audiobook market is too difficult to get traction in for indie writers now because of expense. Ironically, I’ve just released my second audiobook via royalty share and have been pleased with the response, but admittedly it will be a while before I can do another.

Mark Coker touches on the Romance Writers of America debacle as well and questions their ability to survive as an organization. They have just cancelled their 2020 RITA contest!

“Due to recent events in RWA, many in the romance community have lost faith in RWA’s ability to administer the 2020 RITA contest fairly, causing numerous judges and entrants to cancel their participation,” the organization said in a statement Monday. “The contest will not reflect the breadth and diversity of 2019 romance novels/novellas and thus will not be able to fulfill its purpose of recognizing excellence in the genre. For this reason, the Board has voted to cancel the contest for the current year. The plan is for next year’s contest to celebrate 2019 and 2020 romances.”

Tough times! But perhaps better times lie ahead.

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Happy Holidays…

waxwingsSomehow, it’s mid-December. This year does feel especially Christmas-y, if only because the weather is decidedly wintry… and the sister of a school friend, whom I have not seen since I was twelve, volunteered to send me a Christmas pudding in the mail from Boston! I will have to steam it for another two hours on the day, she tells me, something I am quite happy to do.

It’s been a busy year for editing. I realize that I have copyedited or proofread at least 35 books, as well as my work for a bi-monthly local magazine, which continues. It hasn’t been a great year for my own writing, but that’s OK. Last year was. We can all use a break.

On the subject of breaks, I won’t be taking any more manuscripts till January. I hope to use the time off to clean and organize my home office, listen to scads of old voicemails, and think about the year ahead! 2020 is the Year of the Rat in Chinese astrology, not traditionally an auspicious one for me. But who knows, right?

Before I forget: The traditional annual Smashwords End of Year Sale starts on Christmas Day and continues through New Year’s Day. I’m proud to say that this time I’ll have ALL my novels for sale, along with ADHD memoir Connecting the Dots, at either 50% or 75% off. It’s a good opportunity to check out my backlist!

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Time of Grace Released in Audio Format!

I finished writing my lesbian historical novel Time of Grace 20 years ago, which is astonishing to me. Set at the time of the Easter Rising of 1916, it was published by a small press in Ireland, and subsequently released in the US in paperback format. In 2013, I brought out an ebook edition. Now it’s on Audible for your listening pleasure, narrated by P. J. Morgan.

Morgan’s stirring delivery brings alive the forbidden romance of idealistic young Londoner Caroline Singleton, working outside the home for the first time as a governess and mourning the loss of her brother in battle, and street-smart Dublin girl Grace Sheridan, away from home too, working as a housemaid in a big country house. The story takes place against the backdrop of World War 1 and a restless Ireland poised to break away from English rule and create its own destiny. Will the lovers triumph or will convention, and their own striking differences, defeat them?

Red City Review called Time of Grace “An exquisite and heart-wrenching tale. …full of tantalizing plot lines and moments that will stay with the reader for a long time to come.”

Check out this audio clip of Time of Grace.

Find it on Audible here.

Find it on Apple here.

A limited number of promo codes are available in exchange for an honest review. Write to me to request one!


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Beto and Pete: A Tale of Two Articles

As Beto O’Rourke’s candidacy has just abruptly ended, I decided to reblog my post from April 2019.

Gabriella West

In this election season, good journalism is important. But what happens when “good journalism” comes up against people’s uncritical adoration of a candidate?

7446 Janet Malcolm around the time the book came out.

We all know the stereotype of the “hit piece.” In Janet Malcolm‘s 1990 book The Journalist and the Murderer, she writes this about the professional journalist:

He is a kind of confidence man, preying on people’s vanity, ignorance or loneliness, gaining their trust and betraying them without remorse. Like the credulous widow who wakes up one day to find the charming young man and all her savings gone, so the consenting subject of a piece of nonfiction learns—when the article or book appears—his hard lesson. Journalists justify their treachery in various ways according to their temperaments. The more pompous talk about freedom of speech and “the public’s right to know”; the least talented talk about Art; the…

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